Showing posts with label Linda Hickerson-Hofheinz. Show all posts
Showing posts with label Linda Hickerson-Hofheinz. Show all posts

Wednesday, February 11, 2009

Go Away, Tennessee Williams

There is no ignoring it. Today I'm feeling antsy; I need a change. My teeth are on edge...


"Effugio"

...and wild thoughts are flying around inside my head. I'm stuck in the past and future, mentally grinding away at them. Tennessee Williams is writing my life this week and has turned me into Maggie in his
Cat on a Hot Tin Roof. (Thank you, Tennessee, for not writing in her awful husband and for leaving me with my own Tall Husband.)


My Tuesday's to-do list isn't the key to this dilemma. A change of place? Shoe shopping? Change my hair color? Buy another book? Travel? Redo the bathroom? No this all takes money and in this economy, one must conserve.


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To stamp out these thoughts and straighten my head, I'll take a walk, holding hands with Tall Husband. Together we'll figure out something wild. Two wild thinkers are better than one dull head. No offence, Tennessee.

Note: "Effugio" (Latin for escape or elude) painting from our collection is by Linda Hickerson-Hofheinz. My Photos of same.

Tuesday, February 3, 2009

Violence in a Blue Dress

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"Prodigal Dress" by Linda Hickerson Hofheinz; acrylic on gessoed wood; 12"x12"x2."  From our art collection; photo of painting by Annie.


That summer day, I was seven years old, wearing my favorite blue dress, the one with the sashes that tied in the back and with puffed sleeves.  Mama let me wear my hair down loose that day foregoing the braids she preferred.  My job that Saturday was to watch my baby brother as he crawled on his pallet on the front lawn.

The rock came out of nowhere and smashed my little brother's head.  He screamed, as blood splattered his face and my blue dress.  It was then that I heard the maniacal, nasal laugh of Billy, the much feared neighborhood bully.  I grabbed my brother and ran into the house and handed him to Mama, then dashed back outside.  I told Billy to put up his fists.  Like other children on our street, I had been terrified of Billy but not that day.  He had gone too far.

Minutes later Billy's mother was banging on our front door with her son in tow.  "Look what your son did to my boy!"  Billy had scratches over most of his body, a split lip, a bloody nose and an eye that would be the color of my blue dress in the morning.

Mama turned to look over her brood of children who were gathered behind her.  She spotted me, smiled and pulled me into view of our visitors; me in my blood splattered dress, with both sleeves ripped, hanging by threads and both sashes torn loose.  "You know," she said to Billy and his mom, "If I had let a tiny little girl beat me up, I don't think I would want it to get around the neighborhood." 

News of that fight did get around.  To hear every kid tell it, they had been there cheering me on.  Billy's reputation as a bully was ruined.  The next time he threatened another kid, they told him they would get little Annie to beat him up.  Everyone figured if I could beat him up, so could they.  Out of necessity, Billy became a good kid and learned to make friends, which included me.


Story behind the painting:  The blue dress really exists.  It's a doll's dress that Linda's mother made for one of Linda's dolls when Linda was a child.  The dress had been lost for decades when Linda found it, pressed inside a large book that had been packed away in a box.

Thursday, December 18, 2008

An Evil Twin

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Inez and her Evil Twin, a painting by Linda Hickerson-Hofheinz, was a gift from Tall Husband.


It was a special evening in an elegant restaurant on a New Years Eve. Our twin granddaughters were dressed in their matching party clothes, looking and behaving like dark-haired baby angels. We had just finished our dessert and twins Sofia and Andrea were bored with the restaurant scene.

Sofia: "Tita Ann, you have a fireplace, don't you? Let's go to your house and make a fire."

Me: "Your grandfather doesn't like to have a fire in the fireplace."

Sofia: "Well, I would start a fire anyway. If he makes a fuss, I would just throw away something he really likes."

Mother of Sofia and Andrea: "Sofia, Mama is missing a pair of new shoes."

Sofia: "You should be nicer to me."

Mother of Sofia and Andrea: Stunned silence quickly followed by a certain look that said: You will be dealt with later!

Note: Sofia loves this story, asking each time I tell it, "Was I an evil twin?" wanting to believe she could have been.

"Yes! Quite evil," I assure her.

Tuesday, October 14, 2008

Rebus


Rebus
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This whimsical painting at The Bunny Bungalow is by Linda Hickerson-Hofheinz and is titled "Rebus". Can you decipher the rebus?


October 15, 2008 Note: "Pearls+bee+IV+swine"

Tuesday, August 12, 2008

Reflections

Reflected painting, "Howling Hat" by Linda Hickerson-Hofheinz


Metal window frame, cum mirror, from an 1820's-1850's German brick factory.


The reflected bed is a Stickley reproduction of a Harvey Ellis design.


We have been searching for the perfect mirror for our bedroom at The Bunny Bungalow and we finally found it. I saw a mirror on Installations Antiques' website that looked promising but when we walked through their door, Tall Husband saw this one. We both knew immediately that this was "the one." The patina from the elements and age give it just the character we love. It's an old metal window frame from a German brick factory, around 1820's to 1850's, that Jur of Installations Antiques transformed into a mirror. His work is always artistically and functionally exquisite, with just enough edginess to make each piece interesting. The manner in which the mirror fractures images imbues it with an air of mystery.

Thursday, May 29, 2008

Collecting Art at The Bunny Bungalow

Chances Are
Polymer Photogravuer on Reves BFK, hand colored in the plate; Artist: Dan Mitchell Allison



Acrylic on board by Linda Hickerson-Hofheinz


Clare, Patron of Skeptics
Acrylic on board by Linda Hickerson-Hofheinz




The Howling Hat
Acrylic on Canvas by Linda Hickerson-Hofheinz




Rebus
Acrylic on board by Linda Hickerson-Hofheinz


Tall Husband and I are modest but passionate collectors. Collecting art is such a personal, subjective endeavor, who can really explain why a piece speaks to us? We like to know the Artist and the piece has to appeal to both of us (if not those pieces are hung in our respective offices.) There are very few pieces of art on which we do not agree. We are both of the opinion that if the artist is out to shock, it's probably not art. Much like a radio shock jock is not a journalist. That's not to say that art is not to be provocative: we like a touch of edginess. But a giant, ejaculating penis crudely painted on a bed sheet (seen at a recent gallery show) is not provocative and it's not art. Come on guy, we already know you've got one of those!

Above are some works that we have collected, photographed in situ at The Bunny Bungalow. They are by Texas artists Linda Hickerson-Hofheinz and Dan Mitchell Allison. I have been collecting Dan Mitchell Allison's pieces since college. As a wedding gift, I gave Tall Husband a piece by Dan. Linda's work is a more recent discovery. We both are blown away by her medieval take on modern themes.

My advice on collecting is to train your eye: go to museums; study all styles of art in art books; visit museums and galleries on line; get on the mailing lists of local galleries and attend the shows. Oh, and be careful about that free wine at gallery openings. Mixing booze and art can be like going to a pick-up bar: the more you drink, the better it looks.